Instructors
All programs 
All programs 
Actor
Performer
Theatre director
Theatre designer: scenographer and costume designer
Teacher/director (part-time program)
Teacher (post academic program)
Master in Theatre: scenographer and director
Teacher/director (Preparatory course)
Celine van Aalst
Speech and voice technique and expression
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Teaches in these programs:
Aram Adriaanse
Coordinator of the Directing Program
Text-based theatre and directing
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Ricardo Anemaet
Movement technique
Physical theatre
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Teaches in these programs:
Mieneke Bakker
Acting technique, Directing
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Anja Bayerwaltes
Painting
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Jorine van Beek
Stage and costume design
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Koen Boesman
Acting methodology
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Ludo Costongs
Dramaturgy
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Bart Van den Eynde
Coordinator Master in Theater
Dramaturgy
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Ben Geelkens
Perspective drawing
Technical drawing
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Ruud Gerards
Speech and voice technique
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Anne Habermann
Coördinator Stage design Program
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An Hackselmans
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Acting technique, Directing

Teaches in the program:
Liselotte Hambeukers-Nollet
Speech and voice techniques
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Teaches in these programs:
Henk Havens
Dramaturgy
History of performance and theatre in the 20th century
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Berbke Hermans
Coördinator Acting Program
Speech and voice techniques
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Teaches in these programs:
Joost Horward
Text-based theatre
Directing
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Tamara Jongerden
Coördinator prepatory course
Acting- and directingdidactics
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Paul Korenhof
Music and opera history
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Woody Richardson Laurens
Coordinator Performance Program
Acting technique
Staging
Performance
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Nathalie Lepage
Yoga-instructor
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Teaches in these programs:
Bert Luppes
acting techniques
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Teaches in these programs:
Anna Luyten
Cultural criticism
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Anna Luyten teaches Cultural philosophy and criticism at the Toneelacademie Maastricht. She is lecturer ‘Artist Writing’ at the School of Arts Ghent where she also coaches master arts-students. With performer Heike Langsdorf she coordinates at the Hogent the research project “Wandering as a discipline: an investigation of the function of attention and participation in performance art, art education and artistwriting.” She studied philosophy, applied literary studies and theatre science. She has interviewed many big names from the art world for Belgian public television and made Human Interest documentaries for radio and television. As a non-fiction writer she worked in the editorial staff of Belgian and Dutch newspapers as De Standaard, Knack, De Morgen and Vrij Nederland. She wrote on commission for the Klara Festival an opera-libretto and theatre texts for Theater aan zee and Kunstenfestivaldesarts. She is a core contributor to the “living books programme” Uitgelezen and a conversational performer in philosophical and artistic programs for public, f.i. the photography program De Donkere kamer Belgium and Brainwash Amsterdam.

Domien Van Der Meiren
Acting techniques
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Teaches in the program:
Frank Mineur
Cultural criticism
Lectorate in Autonomy and the Public Domain in the Arts
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Peter Missotten
Performance analysis
Technology
Performance
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Peter Missotten (°Hasselt 1963) trained as a video artist (one of the students of Chris Dercon at St. Lukas Brussels). He worked all of his life in and around theatre spaces - starting as a light designer for ‘The Cement Garden’ in 1983. This started a long and passionate stage designer relationship with Guy Cassiers, which went on and off during some 25 years (‘Wasp Factory’, ‘Sunken Red’, ‘Rage d’Amour’,’ Der Fliegende Holländer’, ‘Onegin’… to name just a few). In 1994 he founded de Filmfabriek with Anne Quirynen and Anne Heyman: A company dealing with the crossover between digital and performance arts. They worked intensively on projects with artists as William Forsythe, Wim Vandekeybus, Guy Cassiers and Georges Aperghis. Artists as Wies Hermans, Bram Smeyers, Kurt d’Haeseleer and Ief Spincemaille joined them over the years. From 2000 on, Peter Missotten evolved slowly from a designer of digital media art for the stage into a director for performance arts and opera productions. In 2009, he directed the world creation of ‘KEPLER’, an opera by Philip Glass for Linz09 at the Landestheater Linz. In 2010 he created ‘MONTEZUMA - FALLENDER ADLER’, an opera by Bernhard Lang, for the Nationaltheater Mannheim. He designed the stage and light concept for quite a few choreographies, by example ‘The New Factory’ by Guilherme Miotto and Michael Schumacher for Dansgroep Amsterdam. He developed a visual, performance based libretto for ‘THE GOLEM’, a new opera by Bernhard Lang, which he staged (direction, video, lights and stage design) for the Nationaltheater Mannheim in april 2016. He is a Master in Visual Arts (LUCA School of Arts Brussels) and has a masterclass degree in Cultural Managment (University of Antwerp) He teaches performance arts at the Toneelacademie Maastricht and is professor Technology Driven Art for the Arts department of Zuyd Hogeschool the Netherlands.

Marlou Obers
Singing
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Teaches in these programs:
Jan van Opstal
Movement technique
Viewpoint
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Jo Roets
Coordinator for the teacher/director program (Part Time Program)
Text based acting
Directing
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Ek van Roosendaal
Computer techniques
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Nathalie Roymans
Coördinator Teacher Program (Post Academic Program)
Teaching didactics
Directing didactics
Improvisation
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Sander Ruijters
Singing
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Teaches in these programs:
Jan Salden
Film analysis
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Alexander Schreuder
Dramaturgy and Theatre history
Lectorate in Autonomy and the Public Domain in the Arts
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Jacques Spee
Anatomy/ Life drawing
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Maarten Stevens
History of furniture
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Saskia Valk
Acting techniques
Acting coaching
Staging
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Teaches in the program:
Loes van Vliet
History of costume
Knowledge of textiles
Development of materials
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Toneelacademie MaastrichtToneelacademieTAM Programs Productions Students
Toneelacademie MaastrichtToneelacademieTAM
Programs
Productions
Students
Toneelacademie MaastrichtToneelacademieTAM Programs Productions Students
Toneelacademie MaastrichtToneelacademieTAM
Programs
Productions
Students
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