Aram Adriaanse Coordinator of the Directing Program Text-based theatre and directing Teaches in these programs: |
Ricardo Anemaet Movement technique Physical theatre |
Mieneke Bakker Acting technique, Directing |
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Jorine van Beek Stage and costume design |
Koen Boesman Acting methodology Teaches in these programs: |
Ludo Costongs Dramaturgy Teaches in these programs: |
Bart Van den Eynde Coordinator Master in Theater Dramaturgy Teaches in these programs: |
Christina Flick Movement technique Teaches in these programs: |
Ruud Gerards Speech and voice technique Teaches in these programs: |
Anne Habermann Coördinator Stage design Program Teaches in these programs: |
An Hackselmans Acting technique, Directing |
Rufus Hegeman Speech and voice technique and expression Teaches in these programs: |
Berbke Hermans Coördinator Acting Program Speech and voice techniques Teaches in these programs: |
Joost Horward Text-based theatre Directing Teaches in these programs: |
Mami Izumi Movement technique Teaches in these programs: |
Tamara Jongerden Coördinator prepatory course Acting- and directingdidactics Teaches in these programs: |
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Paul Korenhof Music and opera history |
Woody Richardson Laurens Coordinator Performance Program Acting technique Staging Performance Teaches in these programs: |
Nathalie Lepage Yoga-instructor Teaches in these programs: |
Rob Ligthert Dean of the Toneelacademie Maastricht Teacher actingtechniques and directing |
Bert Luppes acting techniques Teaches in these programs: |
Anna Luyten Cultural criticism Anna Luyten teaches Cultural philosophy and criticism at the Toneelacademie Maastricht. She is lecturer ‘Artist Writing’ at the School of Arts Ghent where she also coaches master arts-students. With performer Heike Langsdorf she coordinates at the Hogent the research project “Wandering as a discipline: an investigation of the function of attention and participation in performance art, art education and artistwriting.” She studied philosophy, applied literary studies and theatre science. She has interviewed many big names from the art world for Belgian public television and made Human Interest documentaries for radio and television. As a non-fiction writer she worked in the editorial staff of Belgian and Dutch newspapers as De Standaard, Knack, De Morgen and Vrij Nederland. She wrote on commission for the Klara Festival an opera-libretto and theatre texts for Theater aan zee and Kunstenfestivaldesarts. She is a core contributor to the “living books programme” Uitgelezen and a conversational performer in philosophical and artistic programs for public, f.i. the photography program De Donkere kamer Belgium and Brainwash Amsterdam. Teaches in these programs: |
Domien Van Der Meiren Acting techniques |
Frank Mineur Cultural criticism Lectorate in Autonomy and the Public Domain in the Arts Teaches in these programs: |
Guilherme Miotto Instinctive Performance Fysical Performance Teaches in these programs: |
Peter Missotten Performance analysis Technology Performance Peter Missotten (°Hasselt 1963) trained as a video artist (one of the students of Chris Dercon at St. Lukas Brussels). He worked all of his life in and around theatre spaces - starting as a light designer for ‘The Cement Garden’ in 1983. This started a long and passionate stage designer relationship with Guy Cassiers, which went on and off during some 25 years (‘Wasp Factory’, ‘Sunken Red’, ‘Rage d’Amour’,’ Der Fliegende Holländer’, ‘Onegin’… to name just a few). In 1994 he founded de Filmfabriek with Anne Quirynen and Anne Heyman: A company dealing with the crossover between digital and performance arts. They worked intensively on projects with artists as William Forsythe, Wim Vandekeybus, Guy Cassiers and Georges Aperghis. Artists as Wies Hermans, Bram Smeyers, Kurt d’Haeseleer and Ief Spincemaille joined them over the years. From 2000 on, Peter Missotten evolved slowly from a designer of digital media art for the stage into a director for performance arts and opera productions. In 2009, he directed the world creation of ‘KEPLER’, an opera by Philip Glass for Linz09 at the Landestheater Linz. In 2010 he created ‘MONTEZUMA - FALLENDER ADLER’, an opera by Bernhard Lang, for the Nationaltheater Mannheim. He designed the stage and light concept for quite a few choreographies, by example ‘The New Factory’ by Guilherme Miotto and Michael Schumacher for Dansgroep Amsterdam. He developed a visual, performance based libretto for ‘THE GOLEM’, a new opera by Bernhard Lang, which he staged (direction, video, lights and stage design) for the Nationaltheater Mannheim in april 2016. He is a Master in Visual Arts (LUCA School of Arts Brussels) and has a masterclass degree in Cultural Managment (University of Antwerp) He teaches performance arts at the Toneelacademie Maastricht and is professor Technology Driven Art for the Arts department of Zuyd Hogeschool the Netherlands. Teaches in these programs: |
Roshanak Morrowatan Movement Techniques Teaches in these programs: |
Marlou Obers Singing Teaches in these programs: |
Jan van Opstal Movement technique Viewpoint Teaches in these programs: |
Jo Roets Coordinator for the teacher/director program (Part Time Program) Text based acting Directing |
Nathalie Roymans Coördinator Teacher Program (Post Academic Program) Teaching didactics Directing didactics Improvisation Teaches in these programs: |
Sander Ruijters Singing Teaches in these programs: |
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Alexander Schreuder Dramaturgy and Theatre history Lectorate in Autonomy and the Public Domain in the Arts Teaches in these programs: |
Yvette van der Slik Techniques of Movement Teaches in these programs: |
Jacques Spee Anatomy/ Life drawing |
Maarten Stevens History of furniture |
Koen van Tok Speech and voice techniques Teaches in these programs: |
Saskia Valk Acting techniques Acting coaching Staging |
Karolien Verlinden Movement Techniques Teaches in these programs: |
Loes van Vliet History of costume Knowledge of textiles Development of materials |
Peter Weltens Singing and Choir singing Teaches in these programs: |