Bart Van den Eynde (°1967) has studied medieval history (RUGent & Stendhal II Grenoble) and theatre science (KULeuven). From 1991 to 1995 he was staff member at the Flemish Theatre Institute / VTI, a documentation center on the performing arts. In 1995 he joined the company of Ivo van Hove, Het Zuidelijk Toneel, and became for 5 years the literary manager and production dramaturg of this repertory company based in Eindhoven.

From 2001 to 2007 he was associate artistic director of the youth theatre company Laika in Antwerp. In 2009 he became the artistic & pedagogic director of Advanced Performance and Scenography Studies / a.pass, a postgraduate research program on performance and scenography on and off the stage.

Since 2005 he has been working as a freelance dramaturge for international dance and theatre productions. He has worked with directors (a.o. Ivo van Hove, Guy Cassiers, FC Bergman), choreographers (a.o. Meg Stuart, Arco Renz, Lisbeth Gruwez) and playwrights (a.o. Simon Stephens, Peter Verhelst, Judith Herzberg) in Belgium, France, The Netherlands, Germany, Great-Britain, Austria, Portugal and the United States. He has been a guest teacher at different theatre schools in Belgium and the Netherlands. Since 2015 he is program director of the master theatre at the theatre academy in Maastricht (Netherlands). He is currently a student again and he has obtained a degree as social mediator (KULeuven & KHLeuven) in 2015.

Improvisation and acting techniques

Anne de Loos (Beesd, 1988) has been affiliated with the Toneelacademie Maastricht since 2017 as a lecturer and coordinator of the Master in Theatre programme, and was appointed programme manager in January 2024, together with Rob Ligthert.
Anne de Loos has a background in art history and experience as a business manager. She specialises in artistic research, artistic entrepreneurship, social safety, and democratic dialogue.
 

Anna Luyten teaches Cultural philosophy and criticism at the Toneelacademie Maastricht. She is lecturer ‘Artist Writing’ at the School of Arts Ghent where she also coaches master arts-students. With performer Heike Langsdorf she coordinates at the Hogent the research project “Wandering as a discipline: an investigation of the function of attention and participation in performance art, art education and artistwriting.” She studied philosophy, applied literary studies and theatre science. She has interviewed many big names from the art world for Belgian public television and made Human Interest documentaries for radio and television. As a non-fiction writer she worked in the editorial staff of Belgian and Dutch newspapers as De Standaard, Knack, De Morgen and Vrij Nederland. She wrote on commission for the Klara Festival an opera-libretto and theatre texts for Theater aan zee and Kunstenfestivaldesarts. She is a core contributor to the “living books programme” Uitgelezen and a conversational performer in philosophical and artistic programs for public, f.i. the photography program De Donkere kamer Belgium and Brainwash Amsterdam.

Milone Reigman (Paramaribo, 1979) is a theatre maker, programme curator and artistic director. She studied Theatre & Education at HKU University of the Arts Utrecht and Directing at the Academy of Theatre and Dance in Amsterdam. Over the past fifteen years, she has worked as Head of Artistic Programming at Het Huis Utrecht, maker at Production House Rotterdam, and education coordinator at Likeminds. In addition, she has been active in the cultural field, including at the Performing Arts Fund NL, and received a fellowship at the Academy of Theatre and Dance. Milone is currently a coach for the master’s programme DAS Creative Producing. In her work, she connects artistic vision with social themes and is committed to an inclusive and diverse theatre practice.