Bart Van den Eynde (°1967) has studied medieval history (RUGent & Stendhal II Grenoble) and theatre science (KULeuven). From 1991 to 1995 he was staff member at the Flemish Theatre Institute / VTI, a documentation center on the performing arts. In 1995 he joined the company of Ivo van Hove, Het Zuidelijk Toneel, and became for 5 years the literary manager and production dramaturg of this repertory company based in Eindhoven.

From 2001 to 2007 he was associate artistic director of the youth theatre company Laika in Antwerp. In 2009 he became the artistic & pedagogic director of Advanced Performance and Scenography Studies / a.pass, a postgraduate research program on performance and scenography on and off the stage.

Since 2005 he has been working as a freelance dramaturge for international dance and theatre productions. He has worked with directors (a.o. Ivo van Hove, Guy Cassiers, FC Bergman), choreographers (a.o. Meg Stuart, Arco Renz, Lisbeth Gruwez) and playwrights (a.o. Simon Stephens, Peter Verhelst, Judith Herzberg) in Belgium, France, The Netherlands, Germany, Great-Britain, Austria, Portugal and the United States. He has been a guest teacher at different theatre schools in Belgium and the Netherlands. Since 2015 he is program director of the master theatre at the theatre academy in Maastricht (Netherlands). He is currently a student again and he has obtained a degree as social mediator (KULeuven & KHLeuven) in 2015.

Anne de Loos (Beesd, 1988) has been affiliated with the Toneelacademie Maastricht since 2017 as a lecturer and coordinator of the Master in Theatre programme, and was appointed programme manager in January 2024, together with Rob Ligthert.
Anne de Loos has a background in art history and experience as a business manager. She specialises in artistic research, artistic entrepreneurship, social safety, and democratic dialogue.
 

Arjen was previously head of the Artisteducator in Theater and Media program at ArtEZ University of the Arts. There he also founded the Future Storytelling Lab Technology and, as a member of the lectorate Art Education as Critical Tactics, co-initiated No University. He also introduced the platform Leerpodium. He himself studied at the Amsterdam University of the Arts, the New York Film Academy and Nijenrode Business University.

Milone Reigman (Paramaribo, 1979) is a theatre maker, programme curator and artistic director. She studied Theatre & Education at HKU University of the Arts Utrecht and Directing at the Academy of Theatre and Dance in Amsterdam. Over the past fifteen years, she has worked as Head of Artistic Programming at Het Huis Utrecht, maker at Production House Rotterdam, and education coordinator at Likeminds. In addition, she has been active in the cultural field, including at the Performing Arts Fund NL, and received a fellowship at the Academy of Theatre and Dance. Milone is currently a coach for the master’s programme DAS Creative Producing. In her work, she connects artistic vision with social themes and is committed to an inclusive and diverse theatre practice.